Contemporary “Music”

Since The Guinness Book of World Records just made up a couple of new “world records” for Taylor Swift, I thought I’d once again comment on the state of popular so-called music:

By and large, it’s crap.

Swift has set records in, urm, record sales, etc. with sort of rhythmic, off key renditions of crap like this:

Well, it was kind of cold that night
She stood alone on her balcony
She could see the cars roll by
Out on 441
Like waves crashing on the beach

And for one desperate moment there
He crept back in her memory
God, it’s so painful
It’s something that’s so close but still so far out of reach

Oh yeah, all right
Take it easy baby
Make it last all night
She was an American girl

Oh, please. High school glurge in grade school vocabulary. Simply crappy in every way. And I refuse to post a clip of the nearly atonal crap its rendered in. And that’s the GOOD stuff from Swift, a cover of a Tom Petty piece of crap! *sheesh!* I absolutely refuse to post “lyrics” supposedly “written” (in crayon, perhaps?) by Swift herself. Lobotomizing my reader(s) isn’t a Good Thing, IMO.

Why am I picking on Taylor Swift? As I said, because of her new records demonstrating that it is she who is now the standard bearer of manufactured pop “music”–the best reflection of where the money from brain dead listeners is going. But she’s only a typical example. Most of the crap being excreted from the mouths of performers nowadays is eagerly lapped up by coprophagic morons.

OTOH–and this just occurred to me–perhaps Swift is a brilliant satirist of “kiddie music” and is making atonal existential metacommentary. Is this possible? In a word, no.

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